Tag Archives: Writing

Discourage Discouragement

Speaking to a friend who embodies confidence, it took me by surprise when he expressed discouragement. “I don’t think anyone’s interested in what I put out there.”

My inner critic is bold all the time. Pssst, the lion is the critic, the lion is you. Live like it!

I went through a fit of discouragement recently. At work, something I built from nothing was taken over by others. Hard not to take that personally. The same day, I looked at my book sales and found them… tepid. Discouragement took my breath away. It was short lived. I told myself it’s a marathon, not a sprint, and refused to accept the emotion (you can do that, you know).

A few days later, a friend gave me an encouraging word. “Aren’t you excited about what you’ve done for others?” She didn’t know of my bleak moment, but I think she guessed it when I blinked at her comment and stammered a response. You can refuse to accept emotion but it can still linger in the green room of your thoughts.

In Aron Osborne’s book, So Many Mountains, Which Ones to Climb?, he has an entire chapter devoted to Encouragement, that is, “to give someone courage.” He has many wise words in that book, take a look.

You wouldn’t be human if you didn’t face discouragement, often during the writing of the book, certainly after, and again when it’s for sale. Funny isn’t it? You can have 20 great reviews, but it’s the 1 negative that gets you down, isn’t it?

One of the reasons I started Prevail Press is to encourage people. I’ve found that when you’re discouraged, you can overcome it by sincerely encouraging others.

Another method is to understand the truth of what we do is a long-haul proposition, there are no shortcuts. A snapshot of a lifetime is no insight to that life. “Count your blessings” can be trite, but it is also true. Everyone has them, even if it’s just drawing a ragged breath each morning.

What you have to say is important. Learning any craft is an emotional roller coaster. My latest book, Creativity Wears Boots, describes the creative process. Knowing where you are in your pursuit can help dispel the monsters.

The Way Back Machine – Print Version

“Tell me ‘bout the good old days…” is a song lyric that hits a chord. We want to know what has gone before us. What was life like way back when?

See the source image
The original Way Back Machine

That’s where Historical Fiction comes in. What is it, though? Is a novel set in 1970 or 1980 a historical novel (yes), is a time travel yarn that goes back to the Civil War a historical novel (no)?

Just how far back do you need to go to make it historical? I could be wrong, but I’d say there is a technological answer and a cultural answer, and finally a unifying answer.

Technology – We go in major shifts of technology. I’d argue that a book set in the near past but after the Internet and cell phones isn’t a historical novel, but one that is before is such a story.

Cultural – Boy howdy, does our culture shift. We’re in the midst of a major shift right now. Such recent shifts include the 1960s and the 1920s before that.

Unifying – An Historical Novel is one that makes the time setting a character. They can be centered on personal events, like in Debi Gray Walter’s Through the Eyes of Grace, that follows her grandmother’s story and the cultural mores she had to navigate. Gone with the Wind is a novel centered on a world event, the Civil War. Technology was different, culture was different, all had to be developed in the story.

Historical Fiction is written for a variety of audiences. Debi’s book is for adults; Bonnie Manning Anderson’s book, Always Look for the Magic, appeals to a wide audience, yet is written so middle-grade kids can enjoy it.

Style of writing can also vary. Some authors perfectly capture the era’s style and language; others go for verisimilitude (an example would be Frost, a Ron Howard movie set in the 1970s. He first intended to capture exactly the ‘70s, but it quickly became apparent that the audience would be laughing at the styles and colors; he pulled it way back to merely suggest the ‘70s style).

The key to writing historical fiction is research, research, research. Find more information than you’ll need and use it strategically. For example, cows and goats have been giving humans something to drink for thousands of years, but we’ve had refrigeration for just over 100 years. That means people have been drinking warm milk for more than 95% of its existence (people were always sleepy back then). Does the fact belong in a novel? Maybe, but “commenting” on the time often betrays the storyline. “Unbelievably, Luc drank the warm milk without batting an eye.”  To Luc, that wouldn’t be strange. Yet I do have a memory of a farm and milk straight from the cow that steamed in the morning chill. Such an observation could work without pulling the reader from the time period.

Do work the year in if no world events make it clear. I read a novel recently that I thought was set in the 1920s until the last chapter when the main character used a cellphone to call the police. Whaaa?!  I was NOT happy.

Do you write historical fiction? Do you read it? What do you like about it? Let me know in the comments below.

 

Change Your Stripes – Part 2

Do you write non-fiction books? Heck, do you write non-fiction BLOGS? Then you should write a novel.

What better way to demonstrate how your non-fiction topic works in someone’s life than, you know, actually demonstrating it someone’s life?

elephant
This might take changing your stripes too far.

Depending on your topic, a common approach is to afflict your main character with the problem your topic corrects. Establish a mentor figure who coaches your main character in your topics step-by-step solutions to reveal how well your solution works.

Two such didactic (teaching) novels spring to mind. Eliyahu Goldratt’s The Goal, and my own novel Do Angels Still Fall?

In The Goal, the main character runs a failing manufacturing company. At home, he is also having problems with his marriage. An old college professor runs into the main character and ends up drive-by mentoring him in process improvement. The mentor isn’t always around, the hero has to fumble through his own discoveries and even begins to apply them also to his marriage. Who knew the Theory of Constraints could be so interesting?

In my novel, a Guardian Angel is given charge of a rambunctious young boy who is allowed to see and interact with his angel. This is new to the angel, as well, who makes a rash promise, prompting him to wonder if angels still fall. In his interactions with the boy, the angel corrects his misunderstanding of God, who is not the angry deity we too often believe he is. As a Sunday School teacher and father of three, I wrote this to introduce people to the God I know and love.

Another writer is writing a time travel novel so his main character can apply principles he learned late in life to his younger self.

There is no set formula, just write a compelling story that teaches (subtly or not) your principles. Readers who love your non-fiction books will not only buy this for themselves, they’ll buy it as a gift for those they love.

Go ahead, get started! And keep checking back here for writing hints.

www.prevailpress.com

I Write, Therefore I Am… Tired a Lot

Yesterday I told you why I love books. I doubt it’s a big surprise that I became a writer after that.

My first novel was in 5th grade. It was 30 pages long and in the shape of a coffin. Much to my surprise, when I was going through my parent’s things after they passed, I found it. Mom liked to hang onto things. It was just eh but the start of things to come.

My second novel was in 8th grade. We were assigned to write the journal of someone on the Western Movement. Mine was a hundred pages, surprisingly good, and earned me an A. My teacher suggested trying to get it published. I thought he was being nice. Still have it; he wasn’t kidding. Color me amazed.

I became a playwright in college, a screenwriter after that (terrible, terrible movie–so glad we didn’t have Internet back then).

Several dozen plays after that and a marriage later, I began my first real novel. It was supposed to be a 6,000 word dime novel (bet you don’t remember them) but it turned into an epic 150,000 word suspense novel. No traditional publishers bit and I understand why. It was uneven and had voice problems.

I began working as a technical writer but needed more income, so I turned to ghostwriting. Twelve books later, I was inspired by my children to write my own.

Do Angels Still Fall? was the result, a middle-grade novel about a boy and his angel. Because I had established Prevail Press to publish my client’s books (most of whom didn’t need it), I published Angels that way. Soon thereafter, I began Me and the Maniac in Outer Space.

A word about backing up your work. I kept it all on a thumbdrive, which I lost at a play. The fragments I had left on my computer became a different, longer book. It was supposed to be an adventure but became so much more. Redundant backup is the key, but this worked out for me. Thank the Lord for happy accidents.

Throughout much of this process, I was part of a writer’s group… but I’m getting ahead of myself. More tomorrow. 🙂